The occult technology of power refers to the use of esoteric or hidden knowledge and practices to gain and wield power. It encompasses various mystical and spiritual approaches that are believed to hold the key to influencing people, events, and circumstances in the material world. One aspect of the occult technology of power is the manipulation of energies and forces present in the universe. This can involve practices such as ritual magic, visualization, invocation, and divination. Practitioners may seek to tap into these energies and direct them towards achieving their desired outcomes, whether it be personal success, wealth, love, or even political and social control. Another aspect of occult power lies in the exploration and communication with non-physical or spiritual entities.
Mars wanted Magic to recreate the nostalgic wonder of the school dances he attended in the Nineties – and his crowded productions, infectious attitude and soaring voice go well beyond “tribute” into the realm of “IMAX reboot.” “Perm” is a future-shocked James Brown hip-hop hybrid that sounds like an update of please-please-pleasers Son of Bazerk; “That’s What I Like” brings the silky vibes of 12 Play–era R. Kelly into the boom of modern trap; “Finesse” is a modern BBD bite down the rat-a-tat “Poison” snares. The chorus to “Calling My Lovelies” – “I got Alesha waiting/Iesha waiting/All the –eeshas waiting on me” – feels like he’s writing himself into the adult epilogue of Another Bad Creation’s playground romance complete with a thirsty phone call to Halle Berry’s answering machine. The arrangements throughout are simply outstanding, bubbling and percolating with ADD explosions of melodic counterpoints, overdubs, subplots and funky worms.
Mars wanted Magic to recreate the nostalgic wonder of the school dances he attended in the Nineties and his crowded productions, infectious attitude and soaring voice go well beyond tribute into the realm of IMAX reboot. Perm is a future-shocked James Brown hip-hop hybrid that sounds like an update of please-please-pleasers Son of Bazerk; That s What I Like brings the silky vibes of 12 Play era R.
Another aspect of occult power lies in the exploration and communication with non-physical or spiritual entities. Many occult traditions believe in the existence of higher beings, angels, demons, spirits, or ancestors that can be invoked or contacted for assistance. These entities are often seen as sources of knowledge, guidance, and power, and their cooperation and alliance can be sought through rituals, offerings, or other spiritual practices.
Review: Bruno Mars’ ’24k Magic’ Is a Lush Nineties Throwback
Though 24k Magic is shorter than any Stooges record, human Super Bowl halftime show Bruno Mars still wears a lot of hats: giddy uptown-funk savant, bumping-and-grinding R&B time-traveler, Ashford & Simpson–esque quiet-storm balladeer. He also sounds like he’s wearing airbrushed overalls too since the majority of the album hearkens back to the new jack swing and Cooleyhighharmonies of turn-of-the-Nineties charts ruled by Boyz II Men, Bell Biv DeVoe and Bobby Brown. The only thing America’s greatest pastiche pop star is missing on his third album is the hooks to hang it all on.
Mars wanted Magic to recreate the nostalgic wonder of the school dances he attended in the Nineties – and his crowded productions, infectious attitude and soaring voice go well beyond “tribute” into the realm of “IMAX reboot.” “Perm” is a future-shocked James Brown hip-hop hybrid that sounds like an update of please-please-pleasers Son of Bazerk; “That’s What I Like” brings the silky vibes of 12 Play–era R. Kelly into the boom of modern trap; “Finesse” is a modern BBD bite down the rat-a-tat “Poison” snares. The chorus to “Calling My Lovelies” – “I got Alesha waiting/Iesha waiting/All the –eeshas waiting on me” – feels like he’s writing himself into the adult epilogue of Another Bad Creation’s playground romance complete with a thirsty phone call to Halle Berry’s answering machine. The arrangements throughout are simply outstanding, bubbling and percolating with ADD explosions of melodic counterpoints, overdubs, subplots and funky worms.
But while his funk game is strong and swagger is stronger, Bruno’s acclaimed hook-writing (which has garnered four Number Ones for himself and tons of co-writes on other chart-toppers) has seemingly taken a backseat. Lyrically, it seems like he’s trying to recall the Nineties subliminally via breadcrumbs scattered throughout the record, saying “freaking me” (Silk) or “nice and slow” (Usher) or “ain’t nobody” (LL Cool J via Chaka Khan) or “damn” (Mr. Show sketch Two Plus One Minus One). If it’s intentional, it scans as cloying; if it’s accidental, it scans as lazy. “Versace on the Floor” is the umpteenth tribute to Marvin Gaye’s “Sexual Healing” in an era that didn’t need them from Wiz Khalifa, Nelly, Wale or Kygo. Lead single “24k Magic” is already drooping its way back down the charts and it’s not impossible to understand why when compared to the sugar-coated bombast of “Uptown Funk” or “Locked out of Heaven.”
So, 24k Magic may not be the most glittering display for Bruno Mars the pop star, but fans can rest assured it is a shining moment for Bruno Mars the producer, arranger and nostalgia curator. Nothing on his level of success gets to look or sound or feel like this – no diggity, no doubt.
Though 24k Magic is shorter than any Stooges record, human Super Bowl halftime show Bruno Mars still wears a lot of hats: giddy uptown-funk savant, bumping-and-grinding R&B time-traveler, Ashford & Simpson–esque quiet-storm balladeer. He also sounds like he’s wearing airbrushed overalls too since the majority of the album hearkens back to the new jack swing and Cooleyhighharmonies of turn-of-the-Nineties charts ruled by Boyz II Men, Bell Biv DeVoe and Bobby Brown. The only thing America’s greatest pastiche pop star is missing on his third album is the hooks to hang it all on.
Furthermore, the occult technology of power also involves the manipulation of the mind and consciousness. Techniques such as meditation, hypnosis, and self-hypnosis are utilized to access and reprogram the subconscious mind, which is believed to be the seat of our desires, beliefs, and motivations. By influencing and altering these subconscious patterns, practitioners aim to manifest their intentions and desires in the physical world. While the occult technology of power has been utilized by various individuals and groups throughout history, it has also faced criticism and controversy. Those skeptical of its efficacy argue that it is merely a form of wishful thinking, self-delusion, or even manipulation of vulnerable individuals. Others warn against the potential dangers of dabbling in these practices, citing the potential for psychological harm or moral corruption. Regardless of one's beliefs or opinions, the occult technology of power continues to be a subject of fascination and intrigue for many. It represents a quest for control, influence, and mastery over the forces that shape our lives. From ancient mystics and alchemists to modern practitioners of the occult arts, the pursuit of power has remained a central theme, inspiring both awe and skepticism in equal measure..
Reviews for "The Alchemy of Power: The Occult Technology Approach"
- Sarah - 2 stars
I found "The occult technology of power" to be quite disappointing. The book promised to delve into the secrets of power and the occult, but instead, it felt like a disorganized collection of vague ideas and anecdotes. The author failed to provide any concrete strategies or practical advice for harnessing power or using occult techniques. Furthermore, the writing style was convoluted and difficult to follow, making it hard to extract any meaningful insights from the text. Overall, I was left feeling unsatisfied and unmotivated after reading this book.
- John - 1 star
As someone interested in the occult and power dynamics, I was excited to read "The occult technology of power." However, I was sorely disappointed with the content of the book. It lacked depth and substance, often making vague references to esoteric concepts without providing a clear understanding or practical application. The author seemed more interested in name-dropping famous occult figures than actually providing valuable insights. The book read more like a rambling stream of consciousness rather than a well-structured guide, leaving me frustrated and uninformed. I would not recommend this book to anyone seeking a comprehensive understanding of the occult or how to wield power effectively.
- Emily - 2 stars
"The occult technology of power" was far from what I expected. The book was filled with pseudo-intellectual jargon and obscure references that only served to confuse me. The author seemed more interested in showcasing their knowledge and self-importance rather than providing any useful information. The lack of practical applications or step-by-step instructions made it difficult to see how the concepts discussed in the book could be applied in real-life situations. Overall, I found this book to be pretentious and unhelpful, failing to deliver on its promises of unlocking the secrets of power and the occult.
- Mark - 2 stars
I was hoping to find some practical techniques or strategies for improving my personal power and understanding the occult, but "The occult technology of power" fell short. The book lacked clear explanations and instead relied on vague metaphors and convoluted language that made it hard to grasp the author's intended messages. Additionally, the author often jumped from topic to topic without providing any coherent structure or guidance. While there were some interesting anecdotes, they did not compensate for the overall lack of substance and usefulness. Overall, I found this book to be a frustrating and unfulfilling read.